A work in constant progress (and occasional regress).
Alias:
Joseph Enaje
Birthplace:
Manila, Philippines
Jo Enaje is a Toronto based multidisciplinary artist and designer. He was born in Manila, Philippines, and moved to Canada at the age of four. He received his BA in Illustration from Sheridan Institute of Technology and has collaborated on numerous projects utilizing his skills in illustration, animation, design, painting and filmmaking. He is a multi-skilled creative who is continuously exploring new mediums to express his visions.
Animation:
2017 Future Ways of Living
Art Direction:
2017 Future Ways of Living
2019 Merci Bocuse
Assistant Director:
2017 Future Ways of Living
2019 Merci Bocuse
Digital Compositor:
2017 Future Ways of Living
2018 Belushi's Toilet
2019 Merci Bocuse
Director:
2017 Future Ways of Living
2018 Belushi's Toilet
2019 Merci Bocuse
2021 This is Ballet: Dancing Anne of Green Gables
Editor:
2017 Future Ways of Living
2018 Belushi's Toilet
2018 Living in a Global Village
2019 Merci Bocuse
2021 This is Ballet: Dancing Anne of Green Gables
Graphic Designer:
2017 Future Ways of Living
2018 Belushi's Toilet
2018 Living in a Global Village
2019 Merci Bocuse
2021 This is Ballet: Dancing Anne of Green Gables
Sound Designer:
2017 Future Ways of Living
2018 Belushi's Toilet
2018 Living in a Global Village
2019 Merci Bocuse
2021 This is Ballet: Dancing Anne of Green Gables
Visual Effects Designer:
2017 Future Ways of Living
2018 Belushi's Toilet
2018 Living in a Global Village
2019 Merci Bocuse
2021 This is Ballet: Dancing Anne of Green Gables
Writer:
2017 Future Ways of Living
2018 Belushi's Toilet
2018 Living in a Global Village
2019 Merci Bocuse
2021 This is Ballet: Dancing Anne of Green Gables
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.