A work in constant progress (and occasional regress).
Birthplace:
Costa Rica
Born:
May 13, 1999
Charlie López (1999) is a Costa Rican film director and moving image artist. His first fiction short film “En cada casa vacía” received the award for Best national short film at the ninth edition of the Costa Rica Festival Internacional de Cine (CRFIC) and his most recent short film, “The Swimmers", a film essay inspired by artist Ed Ruscha’s photography book “Nine Swimming Pools and a Broken Glass”, had its international premiere at the twelfth edition of the Bucharest International Experimental Film Festival (BIEFF). The latter film has also been selected and shown in spaces such as Le Festival International du Film sur l'Art (Le FIFA), Filmfest Dresden, Lago Film Festival, L’Alternativa Barcelona Independent Film Festival, Curta Kinoforum, Fest New Directors New Films, and received an honorable mention at the tenth CRFIC. Aside from festivals, López has also been part of collective and individual exhibitions in Costa Rican art spaces such as Satis.FACTORY, where he produced his short film “Society Pages”. In 2023 he received an honorable mention from the National Awards for Audiovisual Arts given by the Ministry of Culture and Youth of Costa Rica.
Director:
2019 Morena
2020 En cada casa vacía
2022 Los Nadadores
2024 Society Pages
Director of Photography:
2019 Morena
2020 En cada casa vacía
2022 Culpable
2022 Los Nadadores
2024 Society Pages
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.