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Wei Yong Teo

Alias:
Teo Wei Yong

Biography from TheMovieDB

An award-winning film composer and sound designer, Teo Wei Yong's film scores and sound design can be heard in many prestigious film festivals and broadcasting around the globe, including the Locarno Film Festival winner "A Land Imagined", for which he won for Best Original Score at the 56th Taipei Golden Horse Awards.  He also won for Best Original Score for the film "Repossession", at the 21st Costa Del Sol International Film Festival, Spain, and the 11th Horrible Imaginings Film Festival, California, USA.  Asides from films, Wei Yong has also created music and sound design for many commercial brands, including Loreal, Intel, Toyota, HP, Microsoft, Universal Studios Singapore, and many others.  He has also done experimental music for art installations that have made numerous exhibits around the world.  He continues to do what he loves best.

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Additional information:

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Film Production

Music:
2005  Gaston Méliès and his Wandering Star Film Company
2018  The Death of the Master
2019  Repossession
2020  Jù Rén
2020  The Shape of You
2022  Two Is Enough
2023  Oasis of Now

Original Music Composer:
2005  Gaston Méliès and his Wandering Star Film Company
2018  The Death of the Master
2019  A Land Imagined
2019  Mary, Mary, So Contrary
2019  Repossession
2020  Jù Rén
2020  The Shape of You
2022  Two Is Enough
2023  Oasis of Now

Sound:
2005  Gaston Méliès and his Wandering Star Film Company
2018  The Death of the Master
2019  A Land Imagined
2019  Mary, Mary, So Contrary
2019  Repossession
2020  Jù Rén
2020  The Shape of You
2022  Two Is Enough
2023  Oasis of Now

Sound Designer:
2005  Gaston Méliès and his Wandering Star Film Company
2018  The Death of the Master
2019  A Land Imagined
2019  Mary, Mary, So Contrary
2019  Repossession
2020  A Trip to Heaven
2020  Jù Rén
2020  The Shape of You
2022  Two Is Enough
2023  Oasis of Now

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TV Production

Original Music Composer:
2021  Slow Dancing

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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