Lucía Estévez

Lucía Estévez has a degree in Audiovisual Communication from the University of Vigo, with an Erasmus at the UCP of O Porto where she delves into the creation of characters. Since her studies, her interest as a director makes her seek parallel training with film and theater directing professionals such as Alain Vigneau, Andrés Lima, Víctor Duplá or Iñaki Moreno among others. He is currently writing the film As Defensas (Cósmica Producciones). During 2022, the project has been developed in the Torino Film Lab, has been part of the Nouveau Marché of the Festival du Nouveau Cinéma du Montreal and has been part of the I+P Incuba development program of the Galician Audiovisual Cluster where it has worked with Fran Araújo ( Movistar+) as project tutor. In 2022, he co-directs with Toño López the series for TVE Los argonautas y la Moneda de Oro (Portocabo). In 2021 he won the Mestre Mateo Award for the web series Xan, co-created with Miguel Canalejo. He has written and directed different fiction and documentary short films in which he travels from magical realism in O neno sardiña (Cósmica Produciones 2023) to the family as a driving force of creation in O niño dos paxaros (Creciente Films, 2022). Both short films have their premiere at the Gijón International Film Festival. As a personal interest, he investigates the video dance format. During these years he has also worked with the Chévere Group in the play Curva España, touring from 2019 to 2023, dealing with live audiovisual production.

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.