A work in constant progress (and occasional regress).
Birthplace:
Launceston, UK
Born:
January 1, 1959
From Wikipedia, the free encyclopedia Nigel Cole (born 1959) is a British film and television director. Cole began his career in the 1980s, directing current affairs shows and documentaries for Central Independent Television. Into the 1990s, Cole co-wrote the play Sod with Arthur Smith, which he also directed and presented at the Pleasance during the 1993 Edinburgh Festival. Cole has also directed episodes of Peak Practice and Cold Feet for television, and Saving Grace, Calendar Girls and A Lot Like Love for cinema. His latest film, Made in Dagenham, is due for release in 2010. Saving Grace won the World Cinema Audience Award at the 2000 Sundance Film Festival and gained him a nomination for Best Director at that years' British Independent Film Awards. Cole lives with the actress Kate Isitt, with whom he has a daughter, Matilda (born 2002), and a son, Dashiel (born 2009). In honor of his grandfather's Italian heritage, McGraw was honored by the National Italian American Foundation (NIAF) in 2004, receiving the NIAF Special Achievement Award in Music during the Foundation's 29th Anniversary Gala. Description above from the Wikipedia article Nigel Cole, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
1994 In the Wild: Dolphins With Robin Williams
2000 Saving Grace
2003 Calendar Girls
2005 A Lot Like Love
2008 $5 a Day
2010 Made in Dagenham
2012 All in Good Time
2012 The Wedding Video
2016 Do Not Disturb
2017 Bruce Springsteen: Born to Run
2017 Bruce Springsteen: In His Own Words
2017 Roy Orbison: Love Hurts
2020 Johnny Cash: The Man in Black in Britain
Director:
1993 Peak Practice
1998 Cold Feet
2004 Doc Martin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.