A work in constant progress (and occasional regress).
Alias:
王裕言
Birthplace:
China
Yuyan Wang, born in 1989 in China and currently based in Paris, is a filmmaker and video artist. Her works involve recycled materials from the industrial sphere of image production, tracing their mutation and proliferation within the digital frameworks and representations. Through the editing process, Wang deconstructs and recontextualizes the intricate hierarchies and inherent meanings in materials —whether found, processed, and produced—striping symbols of their conventional paths of perception and turning them into immersive sensory experiences. Wang completed her studies at the École des Beaux-Arts de Paris in 2016 and later at Le Fresnoy - Studio national des arts contemporains in 2022. Her work has been showcased at Tate Modern, Palais de Tokyo, UCCA Beijing, the 12th Berlin Biennale and various festivals, such as the Berlinale International Film Festival, the International Film Festival Rotterdam, MoMa Doc Fortnight, CPH:DOX, the European Media Art Festival, receiving numerous awards.
Director:
2017 That Day
2019 All Movements Should Kill the Wind
2020 One Thousand and One Attempts to Be an Ocean
2020 The devil in the details
2024 Green Grey Black Brown
2024 Look On the Bright Side
2024 The Moon Also Rises
Director of Photography:
2017 That Day
2019 All Movements Should Kill the Wind
2020 One Thousand and One Attempts to Be an Ocean
2020 The devil in the details
2024 Green Grey Black Brown
2024 Look On the Bright Side
2024 The Moon Also Rises
Editor:
2017 That Day
2019 All Movements Should Kill the Wind
2020 One Thousand and One Attempts to Be an Ocean
2020 The devil in the details
2021 When the Sea Sends Forth a Forest
2022 Curupira and the Machine of the Destiny
2024 Green Grey Black Brown
2024 Look On the Bright Side
2024 Quebrante
2024 The Moon Also Rises
Screenplay:
2017 That Day
2019 All Movements Should Kill the Wind
2020 One Thousand and One Attempts to Be an Ocean
2020 The devil in the details
2021 When the Sea Sends Forth a Forest
2022 Curupira and the Machine of the Destiny
2024 Green Grey Black Brown
2024 Look On the Bright Side
2024 Quebrante
2024 The Moon Also Rises
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.