Home

Ricardo Preve (b. 1957)

Birthplace:
Buenos Aires, Argentina.

Born:
October 24, 1957

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Additional Camera:
2020  Lost Temple of The Inca

Additional Photography:
2015  The Patagonian Bones
2020  Lost Temple of The Inca

Co-Producer:
2004  Mondovino
2015  The Patagonian Bones
2020  Lost Temple of The Inca

Director:
2004  Mondovino
2005  Chagas: A Hidden Affliction
2009  José Ignacio
2015  The Patagonian Bones
2019  Volviendo a casa
2020  Lost Temple of The Inca
2022  From Sudan to Argentina
2024  Sometime, Somewhere

Producer:
2004  Mondovino
2005  Chagas: A Hidden Affliction
2005  Goodbye Dear Moon
2005  Tango, un giro extraño
2009  José Ignacio
2010  Machu Picchu Decoded
2015  The Patagonian Bones
2019  The Lost City Of Machu Picchu
2019  Volviendo a casa
2020  Lost Temple of The Inca
2022  From Sudan to Argentina
2024  Sometime, Somewhere

Screenplay:
2004  Mondovino
2005  Chagas: A Hidden Affliction
2005  Goodbye Dear Moon
2005  Tango, un giro extraño
2009  José Ignacio
2010  Machu Picchu Decoded
2015  The Patagonian Bones
2019  The Lost City Of Machu Picchu
2019  Volviendo a casa
2020  Lost Temple of The Inca
2022  From Sudan to Argentina
2024  Sometime, Somewhere

Writer:
2004  Mondovino
2005  Chagas: A Hidden Affliction
2005  Goodbye Dear Moon
2005  Tango, un giro extraño
2009  José Ignacio
2010  Machu Picchu Decoded
2015  The Patagonian Bones
2019  The Lost City Of Machu Picchu
2019  Volviendo a casa
2020  Lost Temple of The Inca
2022  From Sudan to Argentina
2024  Sometime, Somewhere

Click the heading above to show or hide the list.

TV Performances

Click the heading above to show or hide the list.

TV Production

Co-Producer:
1985  Explorer

Director:
1974  NOVA
1985  Explorer

Production Manager:
1974  NOVA
1985  Explorer
2014  Chrome Underground

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.