A work in constant progress (and occasional regress).
Darius Shu is a British East Asian cinematographer and director based in London. He loves telling humanistic and poetic stories with striking imagery. He focuses his storytelling on driving societal conversations forward. He does this by incorporating a blend of social awareness and surrealism elements into his films. Through the power of visual storytelling, Darius aims to create a positive representation of underrepresented communities. Some notable examples of his recent projects as a cinematographer are the BAFTA-nominated ITVX documentary Always, Asifa, the Netflix documentary Peach Paradise, Queer Parivaar (winner of the Best British Film award at the Iris Prize 2022) and Where We Came From (2024) starring Emmy winning Archie Panjabi. He is the 2nd Unit Director of Photography on Justin Lin's upcoming film 'Last Days'. Darius's directorial debut short film His Hands was nominated for Best Narrative Short at Tribeca Film Festival 2019. His second short film I Am Norman was selected at the Rhode Island International Film Festival 2021.
Additional Photography:
2024 Lullaby
Director:
2018 His Hands
2020 I Am Norman
2024 Lullaby
???? PLOP
Director of Photography:
2018 His Hands
2018 Secret Child: The Bridge
2020 I Am Norman
2020 Mical
2020 Tainted
2021 Stockholm
2022 Always, Asifa
2022 Peach Paradise
2022 Queer Parivaar
2022 Sent to Cov
2023 Stone
2024 Lullaby
2024 Still
2024 The Lime Green Shirt
???? PLOP
???? The White Hart
Second Unit Director of Photography:
2018 His Hands
2018 Secret Child: The Bridge
2020 I Am Norman
2020 Mical
2020 Tainted
2021 Stockholm
2022 Always, Asifa
2022 Peach Paradise
2022 Queer Parivaar
2022 Sent to Cov
2023 Stone
2024 Lullaby
2024 Still
2024 The Lime Green Shirt
???? Last Days
???? PLOP
???? The White Hart
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.