A work in constant progress (and occasional regress).
Stephanie Filo, ACE is a four-time Emmy Award-winning film and television editor, Peabody Award recipient, and ACE Eddie Award winner. Based in Los Angeles, California, and Sierra Leone, West Africa, she is also a passionate activist committed to global social justice. Filo serves on the board of Girls Empowerment Sierra Leone, a feminist organization supporting girls aged 11–16. She is also a co-founder of End Ebola Now, launched in 2014 to raise awareness about the Ebola crisis through artistic community activism. Beyond her editorial work in film and television, Filo dedicates much of her time to producing and editing social justice campaigns and documentaries, with a strong focus on women's and girls' rights worldwide. Her work has included collaborations with the United Nations, the International Labour Organisation, and the Obama White House Task Force's It’s On Us campaign to combat campus sexual assault. Her activism and creative work have been featured in Forbes, Entertainment Tonight, Al Jazeera, Yahoo, Telegraph UK, and more. Filo earned an Emmy nomination for the Mental State episode Ageing Out, addressing youth aging out of foster care, and won an Emmy for Separated, which tackled ICE deportations—making her and collaborator Nzinga Blake the first Sierra Leonean women to win an Emmy. In 2021, she made history with HBO’s A Black Lady Sketch Show, as part of the first all-Women of Colour editing team to win the Emmy for Outstanding Picture Editing for Variety Programming. She repeated history in 2022 as a member of the first all-Black editing team to win both an Emmy and an ACE Eddie for the same show. In 2023, she became the first picture editor—and the first Black editor—nominated for three different series in a single Emmy season. She received an Independent Spirit Award nomination for her work on the acclaimed feature film We Grown Now.
Assistant Editor:
2011 Hood to Coast
Editor:
2009 Not Even Death
2011 Hood to Coast
2012 Excavating the 2000 Year Old Man
2022 Root Letter
2022 Spinner
2024 We Grown Now
2025 Horsegirls
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.