Stephanie Filo

Stephanie Filo, ACE is a four-time Emmy Award-winning film and television editor, Peabody Award recipient, and ACE Eddie Award winner. Based in Los Angeles, California, and Sierra Leone, West Africa, she is also a passionate activist committed to global social justice.  Filo serves on the board of Girls Empowerment Sierra Leone, a feminist organization supporting girls aged 11–16. She is also a co-founder of End Ebola Now, launched in 2014 to raise awareness about the Ebola crisis through artistic community activism.  Beyond her editorial work in film and television, Filo dedicates much of her time to producing and editing social justice campaigns and documentaries, with a strong focus on women's and girls' rights worldwide. Her work has included collaborations with the United Nations, the International Labour Organisation, and the Obama White House Task Force's It’s On Us campaign to combat campus sexual assault. Her activism and creative work have been featured in Forbes, Entertainment Tonight, Al Jazeera, Yahoo, Telegraph UK, and more.  Filo earned an Emmy nomination for the Mental State episode Ageing Out, addressing youth aging out of foster care, and won an Emmy for Separated, which tackled ICE deportations—making her and collaborator Nzinga Blake the first Sierra Leonean women to win an Emmy.  In 2021, she made history with HBO’s A Black Lady Sketch Show, as part of the first all-Women of Colour editing team to win the Emmy for Outstanding Picture Editing for Variety Programming. She repeated history in 2022 as a member of the first all-Black editing team to win both an Emmy and an ACE Eddie for the same show. In 2023, she became the first picture editor—and the first Black editor—nominated for three different series in a single Emmy season. She received an Independent Spirit Award nomination for her work on the acclaimed feature film We Grown Now.

Additional information:

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Assistant Editor:
2011  Hood to Coast

Editor:
2009  Not Even Death
2011  Hood to Coast
2012  Excavating the 2000 Year Old Man
2022  Root Letter
2022  Spinner
2024  We Grown Now
2025  Horsegirls

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.