A work in constant progress (and occasional regress).
Alias:
María Alvarez
Birthplace:
Cleveland, Ohio, USA
María Alvarez is an internationally recognized Cuban-Dutch filmmaker. She graduated from the University of Southern California with a BFA in Film & Television Production. Her films have screened at dozens of festivals such as the San Francisco International Film Festival and Cleveland International Film Festival, won awards from institutions such as Google, and screened in museums like MoMA. Her short film, ‘Split Ends,’ was a 2021 Horizon Award Finalist, premiered at the NALIP Latino Media Fest, and then went on to screen at the Cannes Court Métrage and NewFilmmakers LA hosted by the Academy. Her short film, ‘did i look cuban then?,’ premiered at the 2022 Santa Barbara International Film Festival and was nominated for Best Documentary at NFFTY. María is a 2023 Rising Voices fellow (Hillman Grad / Indeed), where she directed and co-wrote her latest short film, “Last Days of the Lab.” The film premiered at the Tribeca Film Festival and has gone on to screen at the Toronto International Film Festival and HollyShorts Film Festival. María is a freelance director and photographer in the narrative, music video, and commercial space working for clients such as Nike, Netflix, and more. She is currently in the 2023 Sundance Institute Latine Collab Scholarship program where she is developing her feature film script, “Guava Tree.”
Director:
2019 Party of Two
2020 Split Ends
2022 did i look cuban then?
2023 Last Days of the Lab
Director of Photography:
2019 Novembers & Embers in Amber
2019 Party of Two
2020 From the Top
2020 Split Ends
2022 did i look cuban then?
2023 Last Days of the Lab
Editor:
2019 Novembers & Embers in Amber
2019 Party of Two
2020 From the Top
2020 Split Ends
2022 did i look cuban then?
2023 Last Days of the Lab
Producer:
2019 Novembers & Embers in Amber
2019 Party of Two
2020 From the Top
2020 Split Ends
2022 did i look cuban then?
2023 Last Days of the Lab
Screenplay:
2019 Novembers & Embers in Amber
2019 Party of Two
2020 From the Top
2020 Split Ends
2022 did i look cuban then?
2023 Last Days of the Lab
Second Second Assistant Director:
2003 Assassination Tango
2019 Novembers & Embers in Amber
2019 Party of Two
2020 From the Top
2020 Split Ends
2022 did i look cuban then?
2023 Last Days of the Lab
Writer:
2003 Assassination Tango
2019 Novembers & Embers in Amber
2019 Party of Two
2020 From the Top
2020 Split Ends
2022 did i look cuban then?
2023 Last Days of the Lab
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.