A work in constant progress (and occasional regress).
Birthplace:
Curitiba, Paraná, Brazil
Born:
February 5, 2001
Cinema
BTS Videographer:
2021 I Love You, Bressan
Cinematography:
2021 I Love You, Bressan
???? por que os bagui de segurar no onibus sao amarelo?
Director:
2019 Não Coloque Palavras na Minha Boca
2020 TERCEIRO MUNDO E O FETICHE LÉSBICO
2021 Algum Espaço de Conforto
2021 I Love You, Bressan
2022 Odes da Abstração
???? A Personagem (Doc Comparato) - ROTEIRO I exercicio 06
???? EH 01 QUALQUER COISA
???? Parte 03
???? louva_a_deus.eth
???? por que os bagui de segurar no onibus sao amarelo?
Director of Photography:
2019 Não Coloque Palavras na Minha Boca
2020 TERCEIRO MUNDO E O FETICHE LÉSBICO
2021 Algum Espaço de Conforto
2021 I Love You, Bressan
2022 Odes da Abstração
???? A Personagem (Doc Comparato) - ROTEIRO I exercicio 06
???? EH 01 QUALQUER COISA
???? Parte 03
???? louva_a_deus.eth
???? por que os bagui de segurar no onibus sao amarelo?
Editor:
2019 Fractal
2019 Não Coloque Palavras na Minha Boca
2020 TERCEIRO MUNDO E O FETICHE LÉSBICO
2021 Algum Espaço de Conforto
2021 I Love You, Bressan
2022 Odes da Abstração
2024 Sorriso Amarelo
???? A Personagem (Doc Comparato) - ROTEIRO I exercicio 06
???? Ciranda
???? EH 01 QUALQUER COISA
???? NATAL 2017 pew pew
???? Parte 03
???? louva_a_deus.eth
???? por que os bagui de segurar no onibus sao amarelo?
Production Designer:
2019 Fractal
2019 Não Coloque Palavras na Minha Boca
2020 TERCEIRO MUNDO E O FETICHE LÉSBICO
2021 Algum Espaço de Conforto
2021 I Love You, Bressan
2022 Odes da Abstração
2024 Sorriso Amarelo
???? A Personagem (Doc Comparato) - ROTEIRO I exercicio 06
???? Ciranda
???? EH 01 QUALQUER COISA
???? NATAL 2017 pew pew
???? Parte 03
???? louva_a_deus.eth
???? por que os bagui de segurar no onibus sao amarelo?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.