Timothy Kandra (b. 1999)

Birthplace:
Chicago, Illinois, USA

Born:
June 25, 1999

At three years old, Timothy Kandra refused to enter a theater playing Finding Nemo, terrified of the dark and booming sound. Today, he’s a filmmaker, videographer, and multimedia specialist based in Atlanta, GA, with an obsessive passion for storytelling and the moving image. Timothy spent eight years immersed in film education, beginning with the Performing and Visual Arts (PVA) Magnet Program at Annapolis High School and culminating in a B.F.A. in Film & Television from the Savannah College of Art and Design (SCAD), where he graduated in 2021. After college, he worked as a videographer for a professional dance company, capturing the nuance of live performance, before joining the Centers for Disease Control and Prevention (CDC) in 2022 as a multimedia specialist. He developed content across formats, combining visual design, editing, and motion graphics to deliver impactful communication. With a background in stage acting and a history of writing film reviews since middle school, Timothy approaches his work with both a performer’s sensitivity and a critic’s eye. He aspires to write and direct original films—especially musicals—and is an outspoken advocate for asexual visibility, proudly representing the community through his voice and art.

Additional information:

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Casting Director:
2021  Silver Screen Suicide
2024  Death of an Editor

Writer:
2021  Silver Screen Suicide
2024  Death of an Editor

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.