Raymond Cusick (1928-2013)

Born:
April 28, 1928

Died:
February 21, 2013

Raymond Patrick Cusick (28 April 1928 – 21 February 2013) was an English designer for the BBC. He is best known for designing the Daleks, for the science fiction television series Doctor Who.  Cusick joined the BBC in 1960 as a staff designer and was responsible for the set design of many Doctor Who stories, creating not just futuristic settings but also historical sets and dioramas. Another BBC in-house designer, future filmmaker Ridley Scott, had been assigned to design the Daleks in 1963, but scheduling conflicts saw the job handed to Cusick. Cusick worked on other BBC television programmes including The Pallisers, The Duchess of Duke Street, On Giant's Shoulders, When the Boat Comes In, Rentaghost and Miss Marple.  As Cusick was a salaried BBC employee at the time he designed the Daleks, he was not paid royalties. Given the large revenue generated by merchandise featuring Cusick's Dalek design, he felt that he should have been paid a royalty (as was script writer Terry Nation, who created the concept of the Daleks but did not design them). When Cusick left Doctor Who in 1966, unhappy with the lack of recognition he had received for his work on the series, the show's producer and head designer did arrange for the BBC to recognise his contribution with an ex-gratia payment of around £100.  In the late 1970s, he was a designer for the James Burke BBC programme Connections.

Additional information:

The Search Form


Production Design:
1963  Doctor Who

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.