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Madeleine Hunt-Ehrlich

Birthplace:
New York City, New York

Biography from TheMovieDB

Madeleine Hunt - Ehrlich is a filmmaker and artist who makes films concerned with the inner worlds of black women. Her work has been screened all over the world including at the 2023 Berlinale, the 2022 La Biennale di Venezia, the Guggenheim Museum, the Tate Modern, The Met, and the Whitney Museum of Art.

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Additional information:

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Film Production

Additional Editing:
2018  Untitled (M*A*S*H)

Art Direction:
2018  Untitled (M*A*S*H)
2019  Spit on the Broom

Director:
2017  McKayla
2018  Untitled (M*A*S*H)
2019  Spit on the Broom
2020  A Quality of Light
2020  Footnote to the West
2020  Outfox the Grave
2022  The Command Center to Bring Women Home
2023  Conspiracy
2023  Too Bright to See (Part I)
2024  Cleopatra at the Mall
2024  The Ballad of Suzanne Césaire

Producer:
2017  McKayla
2018  Untitled (M*A*S*H)
2019  Spit on the Broom
2020  A Quality of Light
2020  Footnote to the West
2020  Outfox the Grave
2022  After Sherman
2022  The Command Center to Bring Women Home
2023  Conspiracy
2023  Too Bright to See (Part I)
2024  Cleopatra at the Mall
2024  The Ballad of Suzanne Césaire

Writer:
2017  McKayla
2018  Untitled (M*A*S*H)
2019  Spit on the Broom
2020  A Quality of Light
2020  Footnote to the West
2020  Outfox the Grave
2022  After Sherman
2022  The Command Center to Bring Women Home
2023  Conspiracy
2023  Too Bright to See (Part I)
2024  Cleopatra at the Mall
2024  The Ballad of Suzanne Césaire

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.