Arthur C. Clarke (1917-2008)

Alias:
アーサー・C・クラーク

Birthplace:
Somerset, England

Born:
December 16, 1917

Died:
March 19, 2008

Sir Arthur Charles Clarke CBE FRAS (16 December 1917 – 19 March 2008) was an English science-fiction writer, science writer, futurist, inventor, undersea explorer, and television series host.  He co-wrote the screenplay for the 1968 film 2001: A Space Odyssey, one of the most influential films of all time. Clarke was a science fiction writer, an avid populariser of space travel, and a futurist of a distinguished ability. He wrote many books and many essays for popular magazines. In 1961, he received the Kalinga Prize, a UNESCO award for popularising science. Clarke's science and science-fiction writings earned him the moniker "Prophet of the Space Age". His science-fiction writings in particular earned him a number of Hugo and Nebula awards, which along with a large readership, made him one of the towering figures of the genre. For many years Clarke, Robert Heinlein, and Isaac Asimov were known as the "Big Three" of science fiction.  Clarke was a lifelong proponent of space travel. In 1934, while still a teenager, he joined the British Interplanetary Society. In 1945, he proposed a satellite communication system using geostationary orbits. He was the chairman of the British Interplanetary Society from 1946–1947 and again in 1951–1953.  Clarke emigrated to Ceylon (now Sri Lanka) in 1956, to pursue his interest in scuba diving. That year, he discovered the underwater ruins of the ancient Koneswaram Temple in Trincomalee. Clarke augmented his popularity in the 1980s, as the host of television shows such as Arthur C. Clarke's Mysterious World. He lived in Sri Lanka until his death.  Clarke was appointed Commander of the Order of the British Empire (CBE) in 1989 "for services to British cultural interests in Sri Lanka". He was knighted in 1998 and was awarded Sri Lanka's highest civil honour, Sri Lankabhimanya, in 2005.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.