Adrianna Maldonado (b. 1996)

Birthplace:
Ciudad de México, México

Born:
January 9, 1996

Adriana has a training in cinematography since middle school where she co-directs “El caracol” which is projected as part of the workshop material “Making cinema” at the UNAM online film library. Winner of the first place in the documentary short film for 45 years of the College of Sciences and Humanities with “En camino” which she directs and photographs. Winner of the fourth film critic contest FÓSFORO and published in the magazine Punto de Partida. Member of the young jury of the international festival Black Canvas third edition. Graduated from the Academia de San Carlos in Stage Production. Member of the young jury of the Black Canvas festival in its third edition. She carries out photography, script, production, art direction and production tasks in various exercises of the National School of Cinematographic Arts (ENAC) in which he is currently studying.

Additional information:

The Search Form


Art Designer:
2020  Un silencio prolongado

Art Direction:
2020  Un silencio prolongado
2021  Rondó por el placer

Costume Design:
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases

Decorator:
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases

Director:
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases

Director of Photography:
2018  Reflection
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases

Editor:
2018  Reflection
2019  A New Goodbye
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases

Post Producer:
2018  Reflection
2019  A New Goodbye
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases

Post Production Coordinator:
2018  Reflection
2019  A New Goodbye
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases
2023  Tótem

Producer:
2018  Reflection
2019  A New Goodbye
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases
2023  Tótem

Production Design:
2018  Reflection
2019  A New Goodbye
2019  Letters to Claudia
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases
2023  Tótem

Screenplay:
2018  Reflection
2019  A New Goodbye
2019  Letters to Claudia
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases
2023  Tótem

Sound:
2018  Reflection
2019  A New Goodbye
2019  Letters to Claudia
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2023  Christmases
2023  Pitbull
2023  Tótem

Sound Designer:
2018  Reflection
2019  A New Goodbye
2019  Letters to Claudia
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2022  Anoche soñé con un fantasma
2022  En cualquier lugar
2023  Christmases
2023  Pitbull
2023  Tótem

Sound Editor:
2018  Reflection
2019  A New Goodbye
2019  Letters to Claudia
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2022  Anoche soñé con un fantasma
2022  En cualquier lugar
2023  Christmases
2023  Pitbull
2023  Tótem

Sound Mixer:
2018  Reflection
2019  A New Goodbye
2019  Letters to Claudia
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2022  Anoche soñé con un fantasma
2022  En cualquier lugar
2023  Christmases
2023  Pitbull
2023  Tótem

Sound Recordist:
2018  Reflection
2019  A New Goodbye
2019  Letters to Claudia
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2022  Anoche soñé con un fantasma
2022  En cualquier lugar
2023  Christmases
2023  Pitbull
2023  The Fire We've Built
2023  Tótem

Wardrobe Supervisor:
2018  Reflection
2019  A New Goodbye
2019  Anduve Entonces Con Gitanos
2019  Letters to Claudia
2019  Rest of Delirium
2020  Se habla de Gabriel
2020  Un silencio prolongado
2021  Rondó por el placer
2022  Anoche soñé con un fantasma
2022  En cualquier lugar
2023  Christmases
2023  Pitbull
2023  The Fire We've Built
2023  Tótem

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.