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Maria Bakalova (b. 1996)

Alias:
Μαρία Βάλτσεβα Μπακάλοβα
ماریا باکالوا
มาเรีย บาคาโลวา
瑪莉亞·巴卡洛娃
마리아 바카로바

Birthplace:
Burgas, Bulgaria

Born:
June 4, 1996

Biography from TheMovieDB

Maria Valcheva Bakalova (/bəˈkɑːləvə/ bə-KAH-lə-və; born 4 June 1996) is a Bulgarian actress. She has received various accolades, including a Critics' Choice Movie Award and nominations for an Academy Award, a BAFTA Award, a Screen Actors Guild Award and a Golden Globe Award.   Born and raised in Burgas, Bakalova began her career in Bulgarian cinema while attending the National Academy for Theatre and Film Arts. She mostly portrayed dramatic roles in films such as Transgression (2017), The Father (2019), Last Call (2020), and Women Do Cry (2021). She rose to prominence after starring in the 2020 mockumentary film Borat Subsequent Moviefilm, which earned her a nomination for the Academy Award for Best Supporting Actress.   Bakalova has since starred in films of various genres, including Bodies Bodies Bodies (2022) and The Apprentice (2024). She has also had voice roles, including in the Marvel Cinematic Universe film Guardians of the Galaxy Vol. 3 (2023) as Cosmo the Spacedog and in the DC Universe series Creature Commandos (2024).  Description above from the Wikipedia article Maria Bakalova, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Film Performances

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Film Production

Producer:
2022  The Honeymoon
2024  Triumph

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.