Maria Bakalova (b. 1996)

Alias:
Μαρία Βάλτσεβα Μπακάλοβα
Μαρία Μπακάλοβα
Мария Бакалова
มาเรีย บาคาโลวา
瑪莉亞·巴卡洛娃
마리아 바카로바

Birthplace:
Burgas, Bulgaria

Born:
June 4, 1996

Maria Valcheva Bakalova (born 4 June 1996) is a Bulgarian actress. She is best known for her role as Tutar Sagdiyev in the 2020 mockumentary Borat Subsequent Moviefilm. For her performance in the film, she won the Critics' Choice Movie Award for Best Supporting Actress, and received nominations at the Academy Awards, the BAFTA Film Awards, the Golden Globe Awards and the Screen Actors Guild Awards.  Born and raised in Burgas, Bakalova began her career in Bulgarian cinema by starring in film productions while attending the National Academy for Theatre and Film Arts in Sofia. She appeared in films such as Transgression (2017), The Father (2019), Last Call (2020) and Women Do Cry (2021). Since her international breakthrough in 2020, she has been a part of several American productions including Judd Apatow's The Bubble (2022) and the A24 horror film Bodies Bodies Bodies (2022).

Additional information:

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Producer:
2022  The Honeymoon
2024  Triumph

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.