Karlheinz Essl (b. 1960)

Birthplace:
Vienna, Austria

Born:
August 15, 1960

Austrian composer, improviser and performer. He studied composition with Friedrich Cerha and musicology in Vienna (doctorate 1989 with a thesis on Anton Webern). As a double bassist, he played in chamber and jazz ensembles. Besides writing instrumental music and composing electronic music, he performs on his own electronic instrument m@ze°2, develops software environments for computer-aided composition and creates generative sound and video environments – often in collaboration with artists from other fields.  Essl served as composer-in-residence at the Darmstadt summer courses (1990-94) and completed a commission for IRCAM. In 1997, he was presented at the Salzburg Festival with portrait concerts and sound installations.  Until 2016, Karlheinz Essl curates experimental music concerts and sound installations at the „Essl Museum“ in Klosterneuburg. Between 1995-2006 he was teaching „Algorithmic Composition” at the Anton Bruckner University in Linz. Since 2007 he is professor of composition for electro-acoustic and experimental music at the University of Music and Performing Arts in Vienna.

Additional information:

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Music:
2010  Buildings for the Arts

Music Score Producer:
2010  Buildings for the Arts
2014  Coisa de Alguém

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At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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