A work in constant progress (and occasional regress).
Birthplace:
Wonju, Gangwon, South Korea
Heyjin Jun was born and raised in a part of the Korean countryside where there wasn't a single movie theater. Beginning in third grade, she would spend weekends with her parents volunteering at facilities for the destitute and neglected - playing violin for people who had never heard western classical music, and giving the elderly massages to ease their pain. While spending time with these people, they would tell her their unique and personal stories, often of suffering and struggle. When she came to America at age 21, she was quickly struck by the social impact a single film can have, and started dreaming of telling the stories of people who have been forgotten by the rest of the world. She went on to study at the UCLA School of Theater, Film, and Television, which accelerated her experiences in narrative storytelling, and graduated from the program Magna Cum Laude and Phi Beta Kappa. And she received her MFA degree in cinematography from USC School of Cinematic Arts. She is an award winning cinematographer and a recipient of Motion Picture Association of America (MPAA) award in filmmaking, Peter Stark Memorial Scholarship, and Thomas Bush Endowed Fund. Her fiction films have screened at Sundance Film Festival, Austin Film Festival, etc. Her clients are various from GitHub, Slack, and HBO/Sesame Street to educational institutions such as Department of Chemistry and Chemical Biology at Rutgers University, and University of Southern California Viterbi Engineering School.
Director of Photography:
2017 Wyrm
2019 Dante Falls
2020 RUBY
2020 Soak
2021 Death of a Telemarketer
2024 Arzé
2024 Smoking Tigers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.