Murillo Campos (b. 2007)

Alias:
M.A Campos

Birthplace:
Sorocaba, São Paulo, Brasil

Born:
February 21, 2007

Murillo Campos is a Brazilian filmmaker born in São Paulo, with a journey shaped by multicultural experiences and a deep connection to stories that explore the human side of relationships. A graduate of Cambridge AICE Psychology, Murillo blends his understanding of the human mind with a sensitive approach to cinematic storytelling.  As the author of "Os Contos de Carpas, Aguadeiros e Alacraus", a work that showcases his ability to create rich, emotionally charged worlds, Murillo has found in film a platform to expand his artistic reach. His life experiences in the United States have enriched his global perspective, enabling him to connect with diverse audiences through stories that bridge the intimate and the universal.  With "Anchorless" ("À Beira do Cais"), Murillo brings to the screen a deeply personal story inspired by his own experiences, delving into the complexities of love, youth, and personal growth. Influenced by independent productions, especially those from A24, he strives to create works that are visually striking and emotionally resonant. This marks the beginning of a promising career as one of contemporary cinema's emerging voices.

Additional information:

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Director:
2025  Across Timing
2025  Anchorless

Writer:
2025  Across Timing
2025  Anchorless
2025  Ineffable

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.