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Akira Ookuma (b. 1950)

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Alias:
Akira Ohkuma
Akira Okuma
Akira Ôkuma
大熊 昭

Born:
September 18, 1950

Biography from TheMovieDB

Akira Ookuma is a Japanese sound director.

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Additional information:

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Film Production

Sound Director:
1980  Doraemon: Nobita's Dinosaur
1999  Kureshin Paradise! Made in Saitama
2001  Crayon Shin-chan: The Adult Empire Strikes Back
2002  The Boy and the Sea Turtle
2003  The Mother Who Became a Kite
2004  The Tale of the Ginormous Whale That Fell in Love with a Little Submarine
2006  The Cake Tree in the Ruins
2008  Crayon Shin-chan: Invoke a Super Storm! The Hero of Kinpoko
2008  Kiku and the Wolf
2009  The Story of the Blue-Eyed Girl
2010  Colorful
2010  Crayon Shin-chan: Super-Dimension! The Storm Called My Bride
2011  Nintama Rantaro the Movie: Ninjutsu Academy - All Hands on Deck!
2012  Hal's Flute
2012  Stitch and the Planet of Sand
2016  Crayon Shin-chan: Fast Asleep! Dreaming World Big Assault!
2022  Crayon Shin-chan the Movie: The Tornado Legend of Ninja Mononoke
2024  Crayon Shin-chan the Movie: Our Dinosaur Diary
2024  Nintama Rantaro the Movie: The Dokutake Ninja Team's Strongest Strategist

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TV Production

Recording Supervision:
1991  21 Emon

Sound Director:
1991  21 Emon
2015  My Love Story!!
2020  Super Shiro

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About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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