Debra Messing (b. 1968)

Alias:
Debra Lynn Messing
Дебра Мессинг
デブラ・メッシング
戴博拉·梅西

Birthplace:
Brooklyn, New York City, New York, USA

Born:
August 15, 1968

Debra Lynn Messing (born August 15, 1968) is an American actress. After graduating from New York University's Tisch School of the Arts, Messing starred in the shortlived television series, Ned and Stacey on Fox (1995–1997), and Prey on ABC (1998). She achieved her breakthrough role as Grace Adler, an interior designer, on the NBC sitcom Will & Grace (1998–2006, 2017–2020), for which she received seven Golden Globe Award nominations and five Primetime Emmy Award nominations for Outstanding Lead Actress in a Comedy Series, winning once, in 2003.  From 2007 to 2008, Messing starred as Molly Kagan, the ex-wife of a Hollywood film mogul, on the television miniseries The Starter Wife, for which she received two Golden Globe nominations, a Primetime Emmy Award nomination, and a Screen Actors Guild Award nomination. Thereafter, she appeared as Broadway playwright Julia Houston on the NBC musical drama Smash (2012–2013) and as homicide detective Laura Diamond on the NBC police-procedural comedy The Mysteries of Laura (2014–2016). From 2017 to 2020, Messing reprised her role as Grace Adler on NBC's three season revival of Will & Grace, garnering a ninth Golden Globe nomination for her performance.  Messing's film work includes A Walk in the Clouds (1995), Jesus (1999), The Mothman Prophecies (2002), Hollywood Ending (2002), Along Came Polly (2004), The Wedding Date (2005), Lucky You (2007), The Women (2008), Nothing Like the Holidays (2008), Searching (2018), and 13: The Musical (2022). She has also lent her voice to animated films such as Garfield (2004) and Open Season (2006).  Description above from the Wikipedia article Debra Messing, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.