A work in constant progress (and occasional regress).
Birthplace:
Järfälla, Stockholms län, Sweden
Born:
April 9, 1956
Lennart Östlund, born in 1956 in Järfälla, Sweden, is a sound engineer and producer best known for his work at the legendary Polar Studios in Stockholm. He played a key role in shaping the sound of some of Sweden’s most prominent artists during the 1970s and 1980s. Östlund began his career as a sound engineer at Polar Studios when it opened in 1978. Together with colleagues Leif Mases and Michael B. Tretow, he helped create what became known as “The Good Sound.” The studio quickly became a hub for both Swedish and international artists. During his time there, Östlund worked with artists and groups such as ABBA, Led Zeppelin, Genesis, Rammstein, Roxette, Ted Gärdestad, and Celine Dion. Östlund is a strong advocate of the concept of "albumism," which views the LP as an art form where each song contributes to a cohesive whole. He believes that the evolution of recording technology has driven the development of music itself. With the advent of multitrack recording systems, producers and artists were able to experiment more freely, opening the door to new musical expressions. Since the closure of Polar Studios in 2004, Östlund has remained active in the music industry. He has worked with the band Neweva from Värnamo, producing their EP, and has participated as a speaker at conferences such as Future Echoes, where he discussed the evolution of music production and his own career.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.