A work in constant progress (and occasional regress).
Alias:
Stanislav Rostotskiy
Станислав Ростоцкий
Born:
April 21, 1922
Died:
October 10, 2001
Stanislav Iosifovich Rostotsky (Russian: Станисла́в Ио́сифович Росто́цкий; 21 April 1922, in Rybinsk – 10 August 2001, in Vyborg) was a Soviet film director and screenwriter, the recipient of the two USSR State Prizes and a Lenin Prize. He was named People's Artist of the USSR in 1974.
Director:
1952 Ways and Paths
1956 Land and People
1958 It Happened in Penkovo
1959 May Stars
1962 Four Winds of Heaven
1967 A Hero of Our Time
1967 A Hero of Our Time: Bela
1968 We'll Live Till Monday
1972 The Dawns Here Are Quiet
1977 White Bim Black Ear
1980 Profession: Film Actor
1981 Squadron of Flying Hussars
1985 Trees Grow on the Stones Too
1989 From the Life of Fyodor Kuzkin
Production Design:
1952 Ways and Paths
1956 Land and People
1958 It Happened in Penkovo
1959 May Stars
1962 Four Winds of Heaven
1967 A Hero of Our Time
1967 A Hero of Our Time: Bela
1968 We'll Live Till Monday
1971 The Fifteenth Spring
1972 The Dawns Here Are Quiet
1977 White Bim Black Ear
1980 Profession: Film Actor
1981 Squadron of Flying Hussars
1985 Trees Grow on the Stones Too
1989 From the Life of Fyodor Kuzkin
Writer:
1952 Ways and Paths
1956 Land and People
1958 It Happened in Penkovo
1959 May Stars
1962 Four Winds of Heaven
1967 A Hero of Our Time
1967 A Hero of Our Time: Bela
1968 We'll Live Till Monday
1971 The Fifteenth Spring
1972 The Dawns Here Are Quiet
1977 White Bim Black Ear
1980 Profession: Film Actor
1981 Squadron of Flying Hussars
1985 Trees Grow on the Stones Too
1989 From the Life of Fyodor Kuzkin
Director:
1972 The Dawns Here Are Quiet
1977 White Bim Black Ear
Writer:
1972 The Dawns Here Are Quiet
1977 White Bim Black Ear
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.