A work in constant progress (and occasional regress).
Rafael Zanesco has a degree in Cinema from Universidade Anhembi Morumbi and has been working in the audiovisual market since 2012. He worked as a video editor for a television station and advertising production companies. He has always been passionate about Cinema and filmed his first experimental short film in the Horror genre at the age of 13.
Cinematography:
2015 Dissociative
2015 Online Dating
Director:
2015 Dissociative
2015 Online Dating
2016 Damned Memory
2016 Do Not Ever Open
2021 Apprehension
2023 I Can See You Now
Director of Photography:
2015 Dissociative
2015 Online Dating
2016 Damned Memory
2016 Do Not Ever Open
2018 Death App
2021 Apprehension
2023 I Can See You Now
Editor:
2015 Dissociative
2015 Online Dating
2016 Damned Memory
2016 Do Not Ever Open
2018 Death App
2021 Apprehension
2023 I Can See You Now
Executive Producer:
2015 Dissociative
2015 Online Dating
2016 Damned Memory
2016 Do Not Ever Open
2018 Death App
2021 Apprehension
2023 I Can See You Now
Producer:
2015 Dissociative
2015 Online Dating
2016 Damned Memory
2016 Do Not Ever Open
2018 Death App
2021 Apprehension
2023 I Can See You Now
Production Designer:
2015 Dissociative
2015 Online Dating
2016 Damned Memory
2016 Do Not Ever Open
2018 Death App
2021 Apprehension
2023 I Can See You Now
Screenplay:
2015 Dissociative
2015 Online Dating
2016 Damned Memory
2016 Do Not Ever Open
2018 Death App
2021 Apprehension
2023 I Can See You Now
Writer:
2015 Dissociative
2015 Online Dating
2016 Damned Memory
2016 Do Not Ever Open
2018 Death App
2021 Apprehension
2023 I Can See You Now
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.