A work in constant progress (and occasional regress).
Alias:
Ксения Олеговна Охапкина
Ксения Охапкина
Birthplace:
Leningrad, USSR (Saint Petersburg, Russia)
Born:
December 6, 1989
Ksenia Olegovna Okhapkina (Ксения Олеговна Охапкина; born 6 December, 1989; Leningrad, USSR) is a Russian documentary filmmaker. She graduated from St. Petersburg State University of Film and TV in 2012. Since 2014, she has collaborated with the Estonian producer Riho Västrik and his film studio Vesilind. Her first documentary produced in Vesilind, “Come Back Free”, won IDFA Special Jury Award for Mid-Length Documentary in 2016. “Come Back Free” is a poetic documentary about life in a war-torn Chechen village with local cemetery as its symbolic focal point. With her previous work, Ksenia has shown her ability to capture “the poetic in the pro- fane”. She avows to the meaningfulness of a single frame and has strong commitment to composition.
Director:
2009 The Smoke
2010 Liudians
2010 Snowstorm
2012 The Night Performance
2013 In the Beginning Was… The Cube
2015 Red
2016 Come Back Free
2019 Immortal
Director of Photography:
2009 The Smoke
2010 Liudians
2010 Snowstorm
2012 The Night Performance
2013 In the Beginning Was… The Cube
2015 Red
2016 Come Back Free
2019 Immortal
Editor:
2009 The Smoke
2010 Liudians
2010 Snowstorm
2012 The Night Performance
2013 In the Beginning Was… The Cube
2015 Red
2016 Come Back Free
2019 Immortal
Screenplay:
2009 The Smoke
2010 Liudians
2010 Snowstorm
2012 The Night Performance
2013 In the Beginning Was… The Cube
2015 Red
2016 Come Back Free
2019 Immortal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.