A work in constant progress (and occasional regress).
Birthplace:
Brentford, Middlesex, England, UK
Born:
June 10, 1946
John Richardson (born 1946 in England) is a British special effects supervisor. He is best known for his work on the James Bond film series (at least Casino Royale, Moonraker, Octopussy, A View to a Kill and Die Another Day), all the Harry Potter film series (2001-2011), A Bridge Too Far (1977) and Aliens (1986). For the latter, he won the Academy Award for Best Visual Effects at the 1987 ceremony.[1] He won the BAFTA Award for Best Special Visual Effects for his work on the film Harry Potter and the Deathly Hallows – Part 2 (2011), for which he was also nominated for an Academy Award at the 2012 ceremony. In 2019, he published the book "Making Movie Magic" which detailed his career in film.
Special Effects:
1971 The Devils
1973 Scorpio
1978 Superman
Special Effects Supervisor:
1971 The Devils
1973 Scorpio
1977 A Bridge Too Far
1978 Superman
1980 North Sea Hijack
2004 Harry Potter and the Prisoner of Azkaban
2007 Harry Potter and the Order of the Phoenix
2009 Harry Potter and the Half-Blood Prince
2010 Harry Potter and the Deathly Hallows: Part 1
Visual Effects:
1971 The Devils
1973 Scorpio
1977 A Bridge Too Far
1978 Superman
1980 North Sea Hijack
1989 Licence to Kill
2004 Harry Potter and the Prisoner of Azkaban
2007 Harry Potter and the Order of the Phoenix
2009 Harry Potter and the Half-Blood Prince
2010 Harry Potter and the Deathly Hallows: Part 1
Visual Effects Supervisor:
1971 The Devils
1973 Scorpio
1977 A Bridge Too Far
1978 Superman
1978 Warlords of Atlantis
1980 North Sea Hijack
1989 Licence to Kill
2004 Harry Potter and the Prisoner of Azkaban
2007 Harry Potter and the Order of the Phoenix
2009 Harry Potter and the Half-Blood Prince
2010 Harry Potter and the Deathly Hallows: Part 1
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.