A work in constant progress (and occasional regress).
Alias:
Jose Pablo Morales Morales
Birthplace:
San Jose - Costa Rica
Born:
April 5, 1984
Of Costa Rican nationality, Jose Morales has been in the national artistic milieu for more than 8 years, beginning his adventure in the theater and later transferring his creative work to the cinema. Previously, they shot the short film Puerta 11, later filming two short films about Carlos Salazar Herrera's book "Tales of Anxiety and Landscapes", separated into "La Sequía" and "Un Matoneado", the latter winner of best fiction short film 2016 in Costa Rican Short Film. He has been a photo director, editor in other projects. He is currently working on the pre-production of his next short film and first feature film.
Director:
2014 Door 11
2015 The Drift
2015 Un Matoneado
2015 Unos cuentos de Angustias y Paisajes
2016 Matarifes
2017 Agua
2018 Trayectos
2019 The Audition
2022 Vórtice
Director of Photography:
2014 Door 11
2015 Like
2015 The Drift
2015 Un Matoneado
2015 Unos cuentos de Angustias y Paisajes
2016 Matarifes
2017 Agua
2018 Trayectos
2019 The Audition
2022 The Invisible Steps Through Latin America
2022 Vórtice
Editor:
2014 Door 11
2015 Like
2015 The Drift
2015 Un Matoneado
2015 Unos cuentos de Angustias y Paisajes
2016 Matarifes
2017 Agua
2018 Trayectos
2019 The Audition
2022 The Invisible Steps Through Latin America
2022 Vórtice
Screenplay:
2014 Door 11
2015 Like
2015 The Drift
2015 Un Matoneado
2015 Unos cuentos de Angustias y Paisajes
2016 Matarifes
2017 Agua
2018 Trayectos
2019 The Audition
2022 The Invisible Steps Through Latin America
2022 Vórtice
Writer:
2014 Door 11
2015 Like
2015 The Drift
2015 Un Matoneado
2015 Unos cuentos de Angustias y Paisajes
2016 Matarifes
2017 Agua
2018 Trayectos
2019 The Audition
2022 The Invisible Steps Through Latin America
2022 Vórtice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.