A work in constant progress (and occasional regress).
Author:
2020 Abschied vom Garten
Director:
2015 Eine Schulodyssee
2016 The Happiest Hours of our Lives
2017 Devoted to Science
2017 Lucas
2017 We Need to Talk
2018 Crossroads
2018 Islands
2019 How to become clairvoyant
2020 Abschied vom Garten
2020 Roman The Boxer
2020 The Male Gaze: Strikers & Defenders
2023 High Hopes
???? Auf die Freundschaft
???? Der Wert
???? Der verlorene Stern
???? Es war einmal ein Sohn
Director of Photography:
2015 Eine Schulodyssee
2016 The Happiest Hours of our Lives
2017 Devoted to Science
2017 Lucas
2017 We Need to Talk
2018 Crossroads
2018 Islands
2019 How to become clairvoyant
2020 Abschied vom Garten
2020 Roman The Boxer
2020 The Male Gaze: Strikers & Defenders
2023 High Hopes
???? Auf die Freundschaft
???? Der Wert
???? Der verlorene Stern
???? Es war einmal ein Sohn
Editor:
2015 Eine Schulodyssee
2016 The Happiest Hours of our Lives
2017 Devoted to Science
2017 Lucas
2017 We Need to Talk
2018 Crossroads
2018 Islands
2019 How to become clairvoyant
2020 Abschied vom Garten
2020 Roman The Boxer
2020 The Male Gaze: Strikers & Defenders
2023 High Hopes
???? Auf die Freundschaft
???? Der Wert
???? Der verlorene Stern
???? Es war einmal ein Sohn
First Assistant Director:
2015 Eine Schulodyssee
2016 The Happiest Hours of our Lives
2017 Devoted to Science
2017 Lucas
2017 We Need to Talk
2018 Crossroads
2018 Islands
2019 How to become clairvoyant
2020 Abschied vom Garten
2020 Roman The Boxer
2020 The Male Gaze: Strikers & Defenders
2023 High Hopes
2024 Surviving Brandenburg
???? Auf die Freundschaft
???? Captured
???? Der Wert
???? Der verlorene Stern
???? Es war einmal ein Sohn
Producer:
2015 Eine Schulodyssee
2016 The Happiest Hours of our Lives
2017 Devoted to Science
2017 Lucas
2017 We Need to Talk
2018 Crossroads
2018 Islands
2019 How to become clairvoyant
2020 Abschied vom Garten
2020 Roman The Boxer
2020 The Male Gaze: Strikers & Defenders
2023 High Hopes
2024 Surviving Brandenburg
???? Auf die Freundschaft
???? Captured
???? Der Wert
???? Der verlorene Stern
???? Es war einmal ein Sohn
Screenplay:
2015 Eine Schulodyssee
2016 The Happiest Hours of our Lives
2017 Devoted to Science
2017 Lucas
2017 We Need to Talk
2018 Crossroads
2018 Islands
2019 How to become clairvoyant
2020 Abschied vom Garten
2020 Roman The Boxer
2020 The Male Gaze: Strikers & Defenders
2023 High Hopes
2024 Surviving Brandenburg
???? Auf die Freundschaft
???? Captured
???? Der Wert
???? Der verlorene Stern
???? Es war einmal ein Sohn
Thanks:
2015 Eine Schulodyssee
2016 The Happiest Hours of our Lives
2017 Devoted to Science
2017 Lucas
2017 We Need to Talk
2018 Crossroads
2018 Islands
2019 How to become clairvoyant
2020 Abschied vom Garten
2020 Roman The Boxer
2020 The Male Gaze: Strikers & Defenders
2020 recueillement
2023 High Hopes
2024 Surviving Brandenburg
???? Auf die Freundschaft
???? Captured
???? Der Wert
???? Der verlorene Stern
???? Es war einmal ein Sohn
Writer:
2015 Eine Schulodyssee
2016 The Happiest Hours of our Lives
2017 Devoted to Science
2017 Lucas
2017 We Need to Talk
2018 Crossroads
2018 Islands
2019 How to become clairvoyant
2020 Abschied vom Garten
2020 Roman The Boxer
2020 The Male Gaze: Strikers & Defenders
2020 recueillement
2023 High Hopes
2024 Surviving Brandenburg
???? Auf die Freundschaft
???? Captured
???? Der Wert
???? Der verlorene Stern
???? Es war einmal ein Sohn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.