A work in constant progress (and occasional regress).
Birthplace:
Rawalpindi, Pakistan
Jawad Sharif is an award-winning filmmaker and National Geographic Explorer based in Pakistan. His work explores themes of social change and human rights, focusing on reviving the suppressed cultural and indigenous identities of Pakistan. Throughout his career, Jawad has pushed the boundaries of visual storytelling by documenting the rights of folk musicians, high-altitude porters, climate migrants, and marginalized communities. In 2016, Jawad was awarded a scholarship at the UCLA School of Theatre, Film, and Television. He is also an alumnus of the Swedish Institute and Institut Fur Auslandsbeziehunge, Germany. His work has garnered international and national recognition, including his selection as a TED Fellow and Speaker in 2022 for his achievements in filmmaking and the potential impact of his work. Jawad's films are deeply rooted in local culture and highlight the diverse and resilient aspects of Pakistani society. His recent film "The Losing Side" won the Best Human Rights Film award at the Cannes World Film Festival. "Indus Blues" has received numerous international awards and nominations at prestigious film festivals. His film "Natari" was part of the official selection of the Climate Crisis Film Festival 2021, held in conjunction with COP26 in Glasgow, UK. Jawad has also received several awards for "K2 & the Invisible Footmen," which has been showcased at film festivals worldwide. As a founder of multiple initiatives, Jawad employs filmmaking to inspire social change and climate justice. His project Climate Kahani addresses climate change conflicts through visual storytelling. At the same time, Cinema for Change, a non-profit initiative, empowers filmmakers to explore, educate, and advocate for social change through films. Jawad serves as the Festival Director of the Asia Peace Film Festival and is a jury member of the Jaipur Library Academy Awards in India. He is also an advisory board member of the Forum for Dignity Initiatives, a not-for-profit organization that protects the rights of sexual and gender minorities in Pakistan.
Additional Director of Photography:
???? Moklani: The Last Mohanas
Additional Photography:
2018 Indus Blues
???? Moklani: The Last Mohanas
Cinematography:
2015 Beyond the Heights
2015 K2 & The Invisible Footmen
2018 Indus Blues
???? Moklani: The Last Mohanas
Co-Producer:
2015 Beyond the Heights
2015 K2 & The Invisible Footmen
2018 Indus Blues
???? Moklani: The Last Mohanas
Director:
2015 Beyond the Heights
2015 K2 & The Invisible Footmen
2018 Indus Blues
2021 Natari
2025 Bhashaili (Adrift)
???? Moklani: The Last Mohanas
Editor:
2015 Beyond the Heights
2015 K2 & The Invisible Footmen
2018 Indus Blues
2021 Natari
2025 Bhashaili (Adrift)
???? Moklani: The Last Mohanas
Producer:
2015 Beyond the Heights
2015 K2 & The Invisible Footmen
2018 Indus Blues
2021 Natari
2025 Bhashaili (Adrift)
???? Moklani: The Last Mohanas
Cinematography:
2020 VICE
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.