A work in constant progress (and occasional regress).
Assistant Camera:
1989 Unbedingt ein Neger
Camera Operator:
1989 Unbedingt ein Neger
2006 This Not That: The Artist John Baldessari
2019 Frozen Secrets
Cinematography:
1989 Unbedingt ein Neger
2006 This Not That: The Artist John Baldessari
2017 Der Reichstag
2018 Werner - Das Phänomen
2019 Frozen Secrets
2021 The El-Masri Case
Director of Photography:
1989 Unbedingt ein Neger
2006 This Not That: The Artist John Baldessari
2016 Test of Courage
2016 The Spanish Golden Age
2017 Der Reichstag
2018 Werner - Das Phänomen
2019 Frozen Secrets
2021 Galileo Galilei - Urknall der modernen Physik
2021 The El-Masri Case
2022 Fuoco sacro – Suche nach dem heiligen Feuer des Gesangs
2023 Asta Nielsen - Europas erste Filmikone
Sound Assistant:
1986 Fotofinish
1989 Unbedingt ein Neger
2006 This Not That: The Artist John Baldessari
2016 Test of Courage
2016 The Spanish Golden Age
2017 Der Reichstag
2018 Werner - Das Phänomen
2019 Frozen Secrets
2021 Galileo Galilei - Urknall der modernen Physik
2021 The El-Masri Case
2022 Fuoco sacro – Suche nach dem heiligen Feuer des Gesangs
2023 Asta Nielsen - Europas erste Filmikone
Camera Intern:
2013 Die Macht der Jahreszeiten
Cinematography:
2013 Die Macht der Jahreszeiten
2015 The roaring 20's
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.