A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
December 5, 1914
Died:
August 26, 2000
Odette Joyeux (5 December 1914 – 26 August 2000) was a French actress, playwright and novelist. She was born in Paris, where she studied dance at the Paris Opera Ballet before taking the stage. Joyeux started her film career in 1931. Her first notable film was Marc Allégret's Entrée des artistes (1938). During the 1940s she established herself as one of France's most popular cinema actresses; however, she made few film appearances after the 1950s. Joyeux is the author of some plays and essays on dance as well as a book on the life of inventor Nicéphore Niépce. She also wrote two novels aimed to inspire dance: L'Âge heureux (which was adapted to a television series) and Côté jardin. Additionally, Joyeux wrote The Bride Is Much Too Beautiful (1956) (adapted to film). She married actor Pierre Brasseur from 1935 until their divorce in 1945, by whom she had one child, Claude Brasseur, who is the father of Alexandre Brasseur. In 1958 she married director Philippe Agostini. They remained married until her death in Grimaud, Var, Provence-Alpes-Côte d'Azur, France from stroke at age 85. Source: Article "Odette Joyeux" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Adaptation:
1958 Be Beautiful and Shut Up
Novel:
1956 Her Bridal Night
1958 Be Beautiful and Shut Up
Writer:
1956 Her Bridal Night
1957 Love Is at Stake
1958 Be Beautiful and Shut Up
1962 Rencontres
1966 L'Âge heureux
1967 La bonne peinture
Creator:
1966 L'Âge heureux
1975 L'âge en fleur
Novel:
1966 L'Âge heureux
1975 L'âge en fleur
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.