Julius Renomeron Jr.

Birthplace:
Quezon City, Philippines

Julius Renomeron Jr., a creative based in Rizal, is a Communication Arts graduate from the University of Santo Tomas. Passionate about design, art, and storytelling, his short film "Heist School" garnered multiple awards at Sine Reel 2018, including Best Picture, along with the Audience Choice Award at the 2019 Cinemalaya Film Festival short film category. The film also earned the first Special Mention Award at the San Diego Filipino Film Festival 2024 and has screened at various local and international festivals.  His latest work as a writer and editor, "Hot Seat", featured in the 6th Sine Kabataan by the Film Development Council of the Philippines, was selected for the short film category at the New York Asian Film Festival and received the Outstanding Artistic Achievement award at the Yubari Fantastic Film Festival in Japan. As co-founder of Gate 11 Collective, a group of young Thomasian filmmakers and creatives, he serves as director, writer, producer, and film editor. He currently works as an art director in advertising while pursuing filmmaking in his spare time.

Additional information:

The Search Form


Colorist:
????  At Least We Had This Moment

Creative Producer:
2023  Hot Seat
????  At Least We Had This Moment

Director:
2019  Heist School
2023  Hot Seat
????  At Least We Had This Moment

Editor:
2019  Heist School
2022  Back Home
2023  Hot Seat
????  At Least We Had This Moment
????  Dito, Dati

Producer:
2019  Heist School
2022  Back Home
2023  Hot Seat
????  At Least We Had This Moment
????  Dito, Dati

Script Supervisor:
2019  Heist School
2022  Back Home
2023  Hot Seat
????  At Least We Had This Moment
????  Dito, Dati

Writer:
2019  Heist School
2022  Back Home
2023  Hot Seat
????  At Least We Had This Moment
????  Dito, Dati

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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