A work in constant progress (and occasional regress).
Birthplace:
Osaka, Japan.
Born:
January 1, 1947
Tsuneo Nakai was born in Osaka in 1947. As a student at Tokyo University of the Arts he made his first work The Skin of a Napping (1967), which was selected for the Sogetsu Experimental Film Festival organized by the Sogetsu Art Center. His second film, Paludes (1968) won an Encouragement Prize at Film Art Festival 1968 Tokyo, organized by Film Art-sha that year as a successor to the Sogetsu Experimental Film Festival. In 1971 he presented an installation incorporating fire at Gallery Tamura (Tokyo), and produced Alchemy (1971), inspired by the structural film movement. Alchemy and Azoth were screened at the experimental film festival EXPRMNTL 5 held at Knokke-le-Zoute (Knokke-Heist, Belgium) in 1974, and Alchemy won the Prix Baron Lambert. In the late 1970s he began creating video art, and obtained backing from JVC to produce the video piece Artificial Paradise (1983), which was later screened at Documenta 8. In 1983 he joined forces with Video Cocktail, a group of young video artists, and organized exhibitions at galleries and museums. In 1986 he became Assistant Professor of Conceptual Design at Kyoto City University of Arts. Since then the focus of his practice has been video installations and video objects such as New World (1986), and works exhibited from 2000 onward include Tokyo Atomic Bomb (2009) and Ilinx (2011).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.