A work in constant progress (and occasional regress).
Alias:
Okabe Michio
岡部道男
Michio Okabe (1937-2020) began his activities as an artist in the mid-1960s, participating in the contemporary artist group Off Museum. He interacted with groups such as Neo-Dada and Hi Red Center, as well as artists like Ushio Shinohara, and presented at Yomiuri Independent exhibition (1964), Big Fight exhibition (1965), a solo exhibition at Naiqua Gallery (1965), as well as street performances. Influenced by Kenneth Anger’s Scorpio Rising (1963), Okabe made his first film work Tenchi Sozosetsu (creation tale, 1965), which received a prize at the Sogetsu experimental film festival. Thereafter he made Crazy Love (1968), Camp (1970), Shiroyo Dokoe Iku (Shiro, where are you going, 1970), Shonen Shiko (1973, won a grand prize at Knokke-le-Zoute International Film Festival), Saijiki (1973), and Kaisoroku (1977). The works that sublimate Susan Sontag’s thinking on camp into Okabe’s original camp aesthetic, have been highly received and have screened in Japan and abroad. Besides film production, Okabe published fantastical short stories through reading programs on radio, magazines, fantasy literature anthologies, as well as his own book. Okabe passed away in September, 2020.
Camera Operator:
1968 Crazy Love
Director:
1967 The Doctrine on Creation
1968 Crazy Love
1970 Camp
1970 Shiro, Where Are You Going
1973 Boy-Taste
1973 Saijiki
1977 Memoir
Editor:
1967 The Doctrine on Creation
1968 Crazy Love
1970 Camp
1970 Shiro, Where Are You Going
1973 Boy-Taste
1973 Saijiki
1977 Memoir
Producer:
1967 The Doctrine on Creation
1968 Crazy Love
1970 Camp
1970 Shiro, Where Are You Going
1973 Boy-Taste
1973 Saijiki
1977 Memoir
Writer:
1967 The Doctrine on Creation
1968 Crazy Love
1970 Camp
1970 Shiro, Where Are You Going
1973 Boy-Taste
1973 Saijiki
1977 Memoir
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.