Joe Rees

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Camera Operator:
1984  Target Video Presents Live! - Toxic Reasons
2021  We Were There to Be There

Director:
1978  California New Wave
1978  The Cramps: Live at Napa State Mental Hospital
1978  The Mutants at Napa State
1981  Iggy Pop: Live San Fran 1981
1983  Seven Machine Performances
1983  Throbbing Gristle - Live At Kezar
1984  A Scenic Harvest from the Kingdom of Pain
1984  Target Video Presents Live! - Toxic Reasons
1986  Diamanda Galas: The Litanies of Satan
1986  Virtues Of Negative Fascination
2004  Devo Live
2004  Screamers ‎– Live In San Francisco: Sept 2nd 1978
2008  Flipper: Live - Target Video 1980-1981
2021  We Were There to Be There

Editor:
1978  California New Wave
1978  The Cramps: Live at Napa State Mental Hospital
1978  The Mutants at Napa State
1981  Iggy Pop: Live San Fran 1981
1983  Seven Machine Performances
1983  Throbbing Gristle - Live At Kezar
1984  A Scenic Harvest from the Kingdom of Pain
1984  Target Video Presents Live! - Toxic Reasons
1986  Diamanda Galas: The Litanies of Satan
1986  Virtues Of Negative Fascination
2004  Devo Live
2004  Screamers ‎– Live In San Francisco: Sept 2nd 1978
2008  Flipper: Live - Target Video 1980-1981
2021  We Were There to Be There

Producer:
1978  California New Wave
1978  The Cramps: Live at Napa State Mental Hospital
1978  The Mutants at Napa State
1981  Iggy Pop: Live San Fran 1981
1981  Target Video Underground Forces, Vol. 2
1983  Seven Machine Performances
1983  Throbbing Gristle - Live At Kezar
1983  Throbbing Gristle: Mission of Dead Souls - The Last Live Performance of TG
1984  A Scenic Harvest from the Kingdom of Pain
1984  Target Video Presents Live! - Toxic Reasons
1986  Diamanda Galas: The Litanies of Satan
1986  Virtues Of Negative Fascination
2004  Devo Live
2004  Screamers ‎– Live In San Francisco: Sept 2nd 1978
2008  Flipper: Live - Target Video 1980-1981
2021  We Were There to Be There

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.