A work in constant progress (and occasional regress).
Alias:
Deborah Sundahl
Fanny Fatale
Birthplace:
St. Paul, Minnesota, United States
Born:
January 1, 1954
Died:
June 13, 2023
Deborah, along with her business partner, Nan Kinney, created explicit lesbian videos under the name of Blush Entertainment and Fatale Video. Starting in 1992 with the films Clips and Suburban Dykes, the groundbreaking videos differentiated from the typical girl/girl videos produced at the time and featured the more realistic roles of butch/femme in their characters. Often, the women were self-identified lesbians in real life and felt their work contributed to the acceptance of lesbian women and their sex positive lives. Under the name Fanny Fatale, she, along with Myrna Elana, founded On Our Backs magazine in 1984, which published through 2006, although Deborah and her business partners sold the company in 1996. Joined over the years by prolific author Susie Bright, photographer Honey Lee Cotrell and may others, On Our Backs pioneered lesbian sex-positive feminism and defined the movement in the mid-'80s through the mid-'90s by publishing explicit photos and erotica. In 1992, Deborah released her first educational video, How to Female Ejaculate, which, after describing the anatomical breakdown of how female ejaculation happens, then explicitly demonstrated it. As the first educational video on the topic, she also subsequently published several books on female ejaculation and taught the subject in in-person workshops around the world and online throughout her career.
Director:
1987 BurLEZk Live!
1993 BurLEZk Live! II
Producer:
1987 BurLEZk Live!
1993 BurLEZk Live! II
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.