A work in constant progress (and occasional regress).
Birthplace:
Wichita, Kansas, USA
Logan Nelson scores compositions that blur the line between live instrumentalists and electronic atmospheres, evoking thrilling textures unique to each project. He was recently named the Best Young International Composer at the World Soundtrack Awards in Ghent, Belgium. Logan attended the festival with Oscar-winning director Barry Jenkins who later named him a “must watch composer.” Logan has worked closely with Emmy-winning composer, Kris Bowers. With Kris, Logan wrote additional music on Netflix’s critically acclaimed Dear White People and ABC’s For the People. Following these projects, they worked on the Golden Globe-winning film, Green Book, compiling both the original score as well as many of the source tracks. Logan also worked on Monsters and Men which premiered at the Sundance Film Festival, and was a credited composer on Unstoppable, which premiered at Tribeca. Before Kris, Logan worked at Hans Zimmer’s Remote Control Productions. Logan is currently scoring, Straight Up, a romantic comedy that is being produced by Valparaiso Pictures. When not scoring for film, Logan enjoys writing for other mediums, like dance; his piece Into and Out Through, conceived in collaboration with five choreographers, recently completed two sold-out performances. He also produces for the synth-pop duo, LightHouse which was described by Flaunt Magazine as "a seemingly flawless combination of various synthetics that not only pleases the ears but causes listeners to get up and dance.” Additionally, Logan is a signed composer with Score a Score and Found Objects Music. He has written on various commercials for Google, Nexus, IBM, and Prudential. He has scored over 40 short films, two web series’, and a video game. He attended the University of Southern California where he majored in Music Composition and minored in Cinematic Arts. Logan has played the viola in symphony orchestras across the midwest and enjoys incorporating it in his scores. He is also trained in classical and jazz piano. He loves 35mm photography, funky socks, and rewatching episodes of the Twilight Zone. Logan resides in Los Angeles, California.
Music:
2018 David
2019 Ashes to Ashes
2020 Headlock
2022 Crows Are White
2022 The Sanctity of Space
2024 Elizabeth Taylor: The Lost Tapes
???? Stationed at Home
Original Music Composer:
2018 David
2019 Ashes to Ashes
2020 Headlock
2020 See You Soon
2020 Straight Up
2022 Crows Are White
2022 Nothing Lasts Forever
2022 The Sanctity of Space
2024 Elizabeth Taylor: The Lost Tapes
???? Stationed at Home
Original Music Composer:
2024 Chef's Table: Noodles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.