Pavel Šindelář

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Camera Operator:
1972  Gazdina roba
1976  Jablíčko z laciného kraje
1976  Přebytečná pravda
1978  Pán na inzerát
1979  Hedvika
1979  Kouzelné dřeváky
1979  Tonička z královské chalupy
1980  Kdo chytá štěstí za pačesy
1980  Zlatá panna
1981  Dům na inzerát
1982  Lenka
1982  Útěk
1983  Dlouhý čas loučení
1983  Léto bez dovolené
1983  Odchod bez řádů
1983  Parcela 60, katastr Lukovice
1983  Rovnováha
1984  Dotek ruky
1984  Skřivánek a sova
1984  Víc než případ
1985  Nasredin
1985  Trpká chuť slávy
1989  Recitál Wabiho Daňka

Director of Photography:
1972  Gazdina roba
1976  Jablíčko z laciného kraje
1976  Přebytečná pravda
1978  Daleko, hluboko, a vysoko
1978  Pán na inzerát
1979  Hedvika
1979  Kouzelné dřeváky
1979  Tonička z královské chalupy
1979  Živnost jako řemen
1980  Kdo chytá štěstí za pačesy
1980  Zlatá panna
1981  Dům na inzerát
1981  O vodě, lásce a štěstí
1982  Archimédův bod
1982  Lenka
1982  Zelené červené jablko
1982  Útěk
1983  Dlouhý čas loučení
1983  Koníček Hrbáček
1983  Léto bez dovolené
1983  Mozartovy moravské vánoce
1983  Noc na zámku
1983  O chytrém šachovi
1983  Období digitální
1983  Odchod bez řádů
1983  Parcela 60, katastr Lukovice
1983  Rovnováha
1984  Dotek ruky
1984  Skřivánek a sova
1984  Svatba s generálem
1984  Víc než případ
1984  Ztracené hodinky
1985  Nasredin
1985  Trpká chuť slávy
1985  Zelený ptáček
1985  Šahrazád
1988  Rozsudky soudce Ooky
1989  Abaj a Žabaj
1989  Král lenochů
1989  Recitál Wabiho Daňka
1990  O Radkovi a Mileně
1991  O líné Pepině, Vojtovi a sedmi raraších
1994  Jak se stal švec Dratvička tchánem pana krále
1996  Jak se Kuba stal mlynářem

Camera Operator:
1972  Bakaláři
1987  Světlo z temnot

Director of Photography:
1972  Bakaláři
1983  Medvídkov
1987  Světlo z temnot

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.