A work in constant progress (and occasional regress).
Alias:
Татьяна Лиознова
Birthplace:
Moscow, RSFSR, USSR
Born:
July 20, 1924
Died:
September 29, 2011
Tatyana Mikhailovna (Moiseyevna) Lioznova was born on 20 July, 1924 in Moscow. Her father, an engineer and economist, volunteered to the army in the very beginning of the war and was killed in the same horrible year of 1941. Her mother, a representative of intelligentsia in the highest sense of the word, with whom Tatyana lived all her life, undoubtedly, had a great impact on her daughter and her creative interests. After school Tanya entered the Moscow Aviation Institute but soon left it. In the thick of the war, in 1945, she entered VGIK (The All-Russian State Institute for Cinematography) but after a trial semester was sent down. Her teachers decided her life experience was not rich enough for such an all-embracing profession as film-director. But Tanya did not give in: she stepped in the doorway of the institute in the way of her teachers and begged them into watching her study films. Thus she was allowed to continue studying. In VGIK Tatyana studied at the workshop of Sergei Gerasimov and Tamara Makarova. For some years she worked as assistant of film-director in the filming of ‘Molodaya gvardiya / The Young Guard’ by Sergei Gerasimov (1948), ‘Tainstvennaya nahodka’/Mysterious Finding (1953) by Boris Buneyev, and ‘Zemlya i lyudi’/The Land and the People by Stanislav Rostotsky (1955). The first independent work of Lioznova was released in 1958: it was ‘Pamyat serdtsa’ / ‘The Memory of the Heart’ after the script by Sergei Gerasimov and Tamara Makarova.
Director:
1958 The Memory of the Heart
1961 Yevdokiya
1963 They Conquer the Skies
1965 Early in the Morning
1968 Three Poplars on Plyuschikha Street
1981 Carnival
1981 We, the Undersigned
1987 End of the World with Symposium to Follow
Writer:
1958 The Memory of the Heart
1961 Yevdokiya
1963 They Conquer the Skies
1965 Early in the Morning
1968 Three Poplars on Plyuschikha Street
1981 Carnival
1981 We, the Undersigned
1987 End of the World with Symposium to Follow
Director:
1973 Seventeen Moments of Spring
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.