A work in constant progress (and occasional regress).
Birthplace:
Vienna, Austria
Born:
October 8, 1928
Died:
September 29, 1986
Helmut Qualtinger was born in Vienna, Austria. He initially studied medicine, but quit university to become a newspaper reporter and film critic for local press, while beginning to write texts for cabaret performances and theater plays. Qualtinger debuted as an actor at a student theater and attended the Max Reinhardt Seminar as a guest student. Beginning in 1947, he appeared in cabaret performances. In 1949, Qualtinger's first theatrical play, Jugend vor den Schranken, was staged in Graz. Up to 1960, Qualtinger collaborated on various cabaret programmes with the Namenlosen Ensemble made up of Gerhard Bronner, Carl Merz, Louise Martini, Peter Wehle, Georg Kreisler, and Michael Kehlmann. Qualtinger was famous for his practical jokes. In 1951, he managed to launch a false report in several newspapers announcing a visit to Vienna of a (fictional) famous Inuit poet named Kobuk (author of "The Burning Igloo"). The reporters who assembled at the railway station however were to witness Qualtinger, in fur coat and cap, stepping from the train. Asked about his "first impressions of Vienna", the "Inuit poet" commented in broad Viennese dialect, "Haaaßis'sdo - [It's hot here]". The short one-man play Der Herr Karl, written by Qualtinger and Carl Merz and performed by Qualtinger in 1961, made the author known across German-speaking countries. "Herr Karl", a grocery store clerk, tells the story of his life to an imaginary colleague - from the days of the Habsburg empire, the First Austrian Republic, the Austrofascist regime leading up to the Anschluss (annexation) by Nazi Germany, World War II and finally military occupation by Allied forces in the 1950s, seen from the perspective of a one who is a prototypical opportunist. Qualtinger's portrayal of the petit-bourgeois Nazi collaborator came at a time when "normality" had just been restored and Austrians' involvement in the Nazi movement was being downplayed and "forgotten", making many enemies for the author, who even received anonymous threats of murder. Beginning in the 1970s, Qualtinger frequently performed recitals of his own and other texts, including excerpts from Adolf Hitler's Mein Kampf and Karl Kraus' Die letzten Tage der Menschheit (The Last Days of Mankind). These recitals were highly popular and resulted in several records being published. Qualtinger played countless theater, TV and film parts, making his final appearance in The Name of the Rose in 1986, along with Sean Connery. Qualtinger died in Vienna on 29 September 1986, of a liver condition. From Wikipedia, the free encyclopedia
Writer:
1963 And So to Bed
1967 Der Herr Karl
1967 Der Paukenspieler
2022 Der Herr Karl
2023 Der Herr Karl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.