Bill Briggs

Gallery Unavailable

From Wikipedia, the free encyclopedia  Bill Briggs is the director of the Great American Ski School at Snow King Mountain in Jackson, Wyoming in the United States. Briggs, born in Maine, is notable as the first to ski the Grand Teton on June 15, 1971 and as a result is said to be the father of extreme skiing in North America.  His route required a free-hanging rappel down a 165-foot (50 m) cliff face, which he completed with his skis on. He has also made first descents of other mountains in the Teton Range, including Middle Teton, South Teton, Mount Moran, and Mount Owen. He was the recipient of the 2003 Utah Ski archives Historical Achievement Award for his contributions to skiing.  In 2008, Bill Briggs was inducted into the U.S. National Ski and Snowboard Hall of Fame, with his citation reading in part:      Bill Briggs is regarded as the father of big mountain skiing in the United States. He was able to imagine and believe it possible to ski in places where no one else had skied before. His first ski descent of Wyoming’s Grand Teton on June 15, 1971 is regarded by most as the single crystallizing moment in American big mountain skiing. He also completed the first high ski traverse in the Canadian Rockies and the first modern ski descent of Mount Rainier.  Briggs is a founding member of the Stagecoach Band, which has played country and bluegrass music every Sunday since 1969 at the Stagecoach Bar in Wilson, Wyoming. He also founded and presides over the Hootenanny, an open mic music event that happens every Monday in Moose, Wyoming. He plays banjo, auto-harp and six and twelve-string guitars. Briggs sings traditional and contemporary folk songs, specializing in mountain yodels.  Description above from the Wikipedia article Bill Briggs, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.