A work in constant progress (and occasional regress).
Birthplace:
Montevideo, Uruguay
Alex Piperno (Montevideo, 1985) is a director, producer and teacher who graduated from the University of Cinema of Buenos Aires. His directorial debut, Window Boy Would Also Like to Have a Submarine (2020), was screened at the 70th Berlin International Film Festival, winning the Tagesspiegel Readers' Award.
Co-Producer:
2020 Let the Lights Move Away
Director:
2011 The Inviolability of the Domicile Is Based on the Man Who Appears Wielding an Axe at the Door of His House
2016 Hello to the fjords!
2019 Weep the Headless Madness of these Fields
2020 Let the Lights Move Away
2020 Window Boy Would Also Like to Have a Submarine
???? ASTARSA
Editor:
2011 The Inviolability of the Domicile Is Based on the Man Who Appears Wielding an Axe at the Door of His House
2016 Hello to the fjords!
2019 Weep the Headless Madness of these Fields
2020 Let the Lights Move Away
2020 Window Boy Would Also Like to Have a Submarine
???? ASTARSA
Executive Producer:
2011 The Inviolability of the Domicile Is Based on the Man Who Appears Wielding an Axe at the Door of His House
2016 Hello to the fjords!
2019 Weep the Headless Madness of these Fields
2020 Let the Lights Move Away
2020 Window Boy Would Also Like to Have a Submarine
???? ASTARSA
Producer:
2011 The Inviolability of the Domicile Is Based on the Man Who Appears Wielding an Axe at the Door of His House
2016 Hello to the fjords!
2019 Weep the Headless Madness of these Fields
2020 Let the Lights Move Away
2020 Window Boy Would Also Like to Have a Submarine
2022 Vita in petto avrò
???? ASTARSA
Screenplay:
2011 The Inviolability of the Domicile Is Based on the Man Who Appears Wielding an Axe at the Door of His House
2016 Hello to the fjords!
2019 Weep the Headless Madness of these Fields
2020 Let the Lights Move Away
2020 Window Boy Would Also Like to Have a Submarine
2022 Vita in petto avrò
???? ASTARSA
Writer:
2011 The Inviolability of the Domicile Is Based on the Man Who Appears Wielding an Axe at the Door of His House
2016 Hello to the fjords!
2019 Weep the Headless Madness of these Fields
2020 Let the Lights Move Away
2020 Window Boy Would Also Like to Have a Submarine
2022 Vita in petto avrò
???? ASTARSA
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.