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Tebogo Malebogo

Biography from TheMovieDB

Tebogo Malebogo is a South African writer and director based between New York City and Johannesburg. His goal is to create narratives that imagine Black and South African stories and perspectives not often seen in cinema.  Malebogo's films have screened at Locarno Film Festival, New York Film Festival, New Directors/New Films, SXSW, Clermont-Ferrand, AFI Fest, and Blackstar among others. His works have been programmed on Le Cinéma Club, Topic, Vimeo Staff Picks, Argo, and MUBI. He has been supported by BAFTA, Berlinale Talents, The New York Foundation for the Arts, and initiatives at New York University, where he studied on scholarship in the Graduate Film Department.

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Additional information:

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Film Production

Director:
2019  Mthunzi
2020  Heaven Reaches Down to Earth
????  We Become a Field of Flowers

Editor:
2019  Mthunzi
2020  Heaven Reaches Down to Earth
2021  Let's Do This Again Sometime
????  We Become a Field of Flowers

Executive Producer:
2019  Mthunzi
2020  Heaven Reaches Down to Earth
2021  Let's Do This Again Sometime
????  We Become a Field of Flowers

Screenplay:
2019  Mthunzi
2020  Heaven Reaches Down to Earth
2021  Let's Do This Again Sometime
????  We Become a Field of Flowers

Story:
2019  Mthunzi
2020  Heaven Reaches Down to Earth
2021  Let's Do This Again Sometime
????  We Become a Field of Flowers

Writer:
2019  Mthunzi
2020  Heaven Reaches Down to Earth
2021  Let's Do This Again Sometime
????  We Become a Field of Flowers

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.