Catherine Calvert (1890-1971)

Alias:
Catherine Cassidy

Birthplace:
Baltimore, Maryland, USA

Born:
April 20, 1890

Died:
January 18, 1971

The daughter of Mr. and Mrs. Robert Cassidy, Catherine Calvert was born and raised in Baltimore, Maryland.  She made her stage debut in the play Brown of Harvard in September 1908, in Albany, New York. On Broadway, she portrayed Laura Moore in The Deep Purple (1911), May Joyce in The Escape (1913), and Dona Sol in Blood and Sand (1921).  After many years' experience onstage in productions including The Deep Purple (a play by her future husband, Paul Armstrong), in 1910, she entered films via Keeney Pictures Corporation in A Romance of the Underworld (1918; based on a play in which she had appeared onstage).  Other films in which she appeared include Marriage, Out of the Night, Career of Katherine Bush, Marriage for Convenience, and Fires of Faith. Around 1920 she was a star of Vitagraph Studios.  Calvert married Paul Armstrong in New Haven in 1913. They remained wed until his death in 1915. She later married Canadian grain exporter George A. Carruthers.  In 1971, Calvert died in Uniondale, New York, at age 80.

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.