A work in constant progress (and occasional regress).
Alias:
Cat Felix
Birthplace:
São Paulo, São Paulo, Brasil
Born:
April 23, 1995
Catharina Felix is a director, screenwriter and producer graduated from the Pontifical Catholic University of Rio de Janeiro in 2020 and from the New York Film Academy in 2015. She began as a production assistant in the feature films O Amor Dá Voltas (2016) and Simonal (2019) and was the assistant director of the documentary series Amor de Bicho (2020) for TV Mov. At the same time, she carried out her own projects as director and screenwriter of the short films Teatro dos Rostos (2019), Aruã e a Sombra (2020), selected for the Mostra Outra Rio and for the contest “Arte Como Respiro” by Itaú Cultural, Lindos de Morrer (2021), Top25 Sundance Institute Adobe Fellows Program and Can't See Heaven From Here (2021) selected for Crossroads International Short Film Festival.
Director:
2019 Always Beautiful
2019 Theater Of Faces
2020 Aruã and The Shadow
2021 Deadly Gorgeous
2022 Can't See Heaven From Here
???? Eye Of The Beholder
Editor:
2019 Always Beautiful
2019 Theater Of Faces
2020 Aruã and The Shadow
2021 Deadly Gorgeous
2022 Can't See Heaven From Here
???? Eye Of The Beholder
Producer:
2019 Always Beautiful
2019 Theater Of Faces
2020 Aruã and The Shadow
2021 Deadly Gorgeous
2022 Can't See Heaven From Here
???? Eye Of The Beholder
Screenplay:
2019 Always Beautiful
2019 Theater Of Faces
2020 Aruã and The Shadow
2021 Deadly Gorgeous
2022 Can't See Heaven From Here
???? Eye Of The Beholder
Writer:
2019 Always Beautiful
2019 Theater Of Faces
2020 Aruã and The Shadow
2021 Deadly Gorgeous
2022 Can't See Heaven From Here
???? Eye Of The Beholder
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.