A work in constant progress (and occasional regress).
Alias:
Jôji Oka
Katsuzō Nakamizo
Susumu Minobe
Дзёдзи Ока
Кацудзо Накамидзо
Сусуму Минобэ
中溝 勝三
岡 譲二
岡 譲司
美濃部 進
Birthplace:
Tokyo, Japan
Born:
May 23, 1902
Died:
December 17, 1970
Joji Oka, born in Tokyo, Japan, on May 25, 1902, was a renowned Japanese actor celebrated for his versatile roles in the film industry. His given name was Katsuzo Nakamizo, and he also used alternate names, including Susumu Minobe. Oka embarked on his cinematic journey in the late 1920s, making his debut with the film "Ryuko no Maki Tora no Maki" in 1928. He rose to prominence as a leading actor in movies like "Akai Hi Aoi Hi" (Red Lights, Blue Lights) in 1929. His influence extended across silent and sound films, where he showcased his remarkable voice and talent. In the early 1930s, Oka encountered personal and professional challenges, including a romantic involvement with actress Ran Koizumi and a subsequent disappearance incident. Later, he joined Toho Studios, further solidifying his position as a leading actor. Notable works, such as "Shiroi Kinjo" (White Robes) in 1936, featured his exceptional talents. During World War II, Oka served in the Imperial Japanese Army while simultaneously pursuing his acting career. Following the war, he resumed his involvement in filmmaking and garnered recognition for his roles in movies like "Kanchi eizu Seiretsu" (The Ambitious Gang) in 1954. Oka's career spanned from the late 1920s to the late 1960s, showcasing his versatility and skill in various genres, encompassing modern drama, period pieces, and action films. He passed away on December 17, 1970, at the age of 68, leaving behind a legacy of memorable performances within the realm of Japanese cinema.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.