A work in constant progress (and occasional regress).
Birthplace:
Conrad, Montana, United States
Born:
March 30, 1940
Died:
January 23, 2008
David Askevold was an experimental American-Canadian artist who lived in Nova Scotia. Askevold studied art and anthropology at the University of Montana. In 1963, he won a Max Beckmann Scholarship to study painting for a year at the Brooklyn Museum Art School in New York. In 1966, he enrolled at the Kansas City Art Institute to complete a Bachelor of Fine Arts degree, in Sculpture. Askevold went to Halifax and joined the faculty of the Nova Scotia College of Art and Design in 1968.
Director:
1969 Knife Throw
1969 Nova Scotia Fires
1970 Catapult
1970 Fill
1971 Fork Pairs
1971 Rubber Band
1972 It’s No Use Crying
1972 Learning About Cars and Chocolates
1973 My Recall of an Imprint from a Hypothetical Jungle
1974 Green Willow for Delaware
1977 Very Soon You Will
1979 Bliss D.F.²
1982 Rhea
1985 Jumped Out
1986 1/4 Moon
1986 Honky Tonkin'
1987 How Long Have You Known Barbara?
1989 Six Fifty
1990 Sixteen Candles
1994 Don't Eat Crow
1995 Cultural Geographies
1995 Finn Slough
2002 Lipstick for the Border
2003 Two Hanks
Director of Photography:
1969 Knife Throw
1969 Nova Scotia Fires
1970 Catapult
1970 Fill
1971 Fork Pairs
1971 Rubber Band
1972 It’s No Use Crying
1972 Learning About Cars and Chocolates
1973 My Recall of an Imprint from a Hypothetical Jungle
1974 Green Willow for Delaware
1977 Very Soon You Will
1979 Bliss D.F.²
1982 Rhea
1985 Jumped Out
1986 1/4 Moon
1986 Honky Tonkin'
1987 How Long Have You Known Barbara?
1989 Six Fifty
1990 Sixteen Candles
1994 Don't Eat Crow
1995 Cultural Geographies
1995 Finn Slough
2002 Lipstick for the Border
2003 Two Hanks
Editor:
1969 Knife Throw
1969 Nova Scotia Fires
1970 Catapult
1970 Fill
1971 Fork Pairs
1971 Rubber Band
1972 It’s No Use Crying
1972 Learning About Cars and Chocolates
1973 My Recall of an Imprint from a Hypothetical Jungle
1974 Green Willow for Delaware
1977 Very Soon You Will
1979 Bliss D.F.²
1982 Rhea
1985 Jumped Out
1986 1/4 Moon
1986 Honky Tonkin'
1987 How Long Have You Known Barbara?
1989 Six Fifty
1990 Sixteen Candles
1994 Don't Eat Crow
1995 Cultural Geographies
1995 Finn Slough
2002 Lipstick for the Border
2003 Two Hanks
Music:
1969 Knife Throw
1969 Nova Scotia Fires
1970 Catapult
1970 Fill
1971 Fork Pairs
1971 Rubber Band
1972 It’s No Use Crying
1972 Learning About Cars and Chocolates
1973 My Recall of an Imprint from a Hypothetical Jungle
1974 Green Willow for Delaware
1977 Very Soon You Will
1979 Bliss D.F.²
1982 Rhea
1985 Jumped Out
1986 1/4 Moon
1986 Honky Tonkin'
1987 How Long Have You Known Barbara?
1989 Six Fifty
1990 Sixteen Candles
1994 Don't Eat Crow
1995 Cultural Geographies
1995 Finn Slough
2002 Lipstick for the Border
2003 Two Hanks
Sound Designer:
1969 Knife Throw
1969 Nova Scotia Fires
1970 Catapult
1970 Fill
1971 Fork Pairs
1971 Rubber Band
1972 It’s No Use Crying
1972 Learning About Cars and Chocolates
1973 My Recall of an Imprint from a Hypothetical Jungle
1974 Green Willow for Delaware
1977 Very Soon You Will
1979 Bliss D.F.²
1982 Rhea
1985 Jumped Out
1986 1/4 Moon
1986 Honky Tonkin'
1987 How Long Have You Known Barbara?
1989 Six Fifty
1990 Sixteen Candles
1994 Don't Eat Crow
1995 Cultural Geographies
1995 Finn Slough
2002 Lipstick for the Border
2003 Two Hanks
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.