A work in constant progress (and occasional regress).
Birthplace:
Mumbai, Maharashtra, India
Anuradha Chandan is a talented Indian actor born and brought up in Mumbai. She completed her graduation from the renowned St. Xavier’s College, Mumbai, and further enhanced her creative skills by pursuing a diploma in Interior Design from Rachna Sansad. In addition to her academic achievements, she also holds a diploma in French from Alliance Française, showcasing her flair for languages and the arts. Her foundational training in acting began under the legendary theatre guru Pandit Satyadev Dubey, whose mentorship deeply shaped her artistic sensibility. With a strong grounding in theatre, Anuradha transitioned seamlessly into screen acting, where she has become known for her subtle, realistic performances and impactful cameo appearances. Over the years, she has been a part of several critically acclaimed and commercially successful films. She appeared in Munnabhai M.B.B.S. (2003) and Right Here Right Now (2003), followed by prominent roles in films like Taxi No. 9 2 11: Nau Do Gyarah (2006), Hattrick (2007), Luck By Chance (2009), and Zindagi Na Milegi Dobara (2011), where her brief yet meaningful roles left a lasting impression. Her work in Heropanti (2014), Gabbar Is Back (2015), and Kapoor and Sons (2016) further established her presence in the Hindi film industry. Beyond films, Anuradha has contributed significantly to advertising and digital media, appearing in numerous ad campaigns and web series. Her grounded, expressive acting style makes her a natural fit for both mainstream and experimental content. With a background rooted in theatre and a career that spans across diverse formats, Anuradha Chandan continues to be a respected and cherished presence in the Indian entertainment landscape. TMDB mini biography by: Ashvin Borad
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.