A work in constant progress (and occasional regress).
Birthplace:
Colchester, Essex, England, UK
Born:
June 15, 1962
Christopher J Morris (born 15 June 1962) is an English comedian, radio presenter, actor, and filmmaker. Known for his deadpan, dark humour, surrealism, and controversial subject matter, he has been praised by the British Film Institute for his "uncompromising, moralistic drive". In the early 1990s, Morris teamed up with his radio producer Armando Iannucci to create On the Hour, a satire of news programmes. This was expanded into a television spin off, The Day Today, which launched the career of comedian Steve Coogan and has since been hailed as one of the most important satirical shows of the 1990s. Morris further developed the satirical news format with Brass Eye, which lampooned celebrities whilst focusing on themes such as crime and drugs. For many, the apotheosis of Morris' career was a Brass Eye special, which dealt with the moral panic surrounding paedophilia. It quickly became one of the most complained-about programmes in British television history, leading the Daily Mail to describe him as "the most loathed man on TV". Meanwhile, Morris' postmodern sketch comedy and ambient music radio show Blue Jam, which had seen controversy similar to Brass Eye, helped him to gain a cult following. Blue Jam was adapted into the TV series Jam, which some hailed as "the most radical and original television programme broadcast in years", and he went on to win the BAFTA Award for Best Short Film after expanding a Blue Jam sketch into My Wrongs 8245–8249 & 117, which starred Paddy Considine. This was followed by Nathan Barley, a sitcom written in collaboration with a then little-known Charlie Brooker that satirised hipsters, which had low ratings but found success upon its DVD release. Morris followed this by joining the cast of the sitcom The IT Crowd, his first project in which he did not have writing or producing input. From Wikipedia, the free encyclopedia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.